Kaleb Griffeth

Kaleb Griffeth

From: Stansbury Park, Utah

Desired Career Focus: Residential Architecture 

Associations:  USUIAD, ASID, ICAA, USUSA Traditions Committee 

Contact Info

Email: kaleb.griffeth@gmail.com
Phone: (435) 840-8548

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Portfolio

Kaleb Griffeth has primarily lived all of his life in Utah. The Interior Architecture and Design program at Utah State has expanded his love for architecture and inspired a passion for traditional home design. Kaleb's intrigue for traditional and classical buildings will lead to a pursuit of a master's degree in architecture with 4 different offers including Notre Dame. Aside from architecture, he loves spending time with good people, and fast cars of all kinds. 

Student Projects

Tuscan Townhouse

Farmstead Therapy

Interfaith Sanctuary

Cottage - A Delft Tile

Loops Rink & Records

Tuscan Townhouse

A bird’s eye view of a symmetrical townhouse. The townhouse is in the style of a Tuscan, Mediterranean farmhouse. The building is one story on the north and south ends of the building with the central block rising to two stories with a chimney rising above the second story on both the east and west sides of the building. Terracotta tiles cover the roof with a stone clad exterior on all of the walls. Windows also dot the exterior of the building.
A page from a set of construction documents. Pictured is the first floor of the Tuscan Townhouse containing dimensions of the overall townhouse along with the individual dimensions of every space within the structure. Also pictured is a table with all of the doors in the space and their dimensions along with different interior wall construction types.
A page from a set of construction documents. Pictured is the second floor of the Tuscan Townhouse containing dimensions of the overall townhouse along with the individual dimensions of every space within the structure. Also pictured is a table with all of the doors in the space and their dimensions along with different interior wall construction types.

Farmstead Therapy

A Barn-style farmhouse with a gambrel roof. The sun shines on a brick exterior and metal roof. Glass doors peak into the buildings exterior. Fencing on the outside surrounds the outdoor paddock with a covered run where a horse stands.
A floor plan shows the 750 square foot barn. The tan flooring is separated by walls to create flex spaces, a gathering space, a restroom, and horse stalls. A horse is standing outside in the fenced off paddock.
This page of construction documents shows the front elevation of the building. Dimensions and annotations call out materials and height of the building.

Interfaith Sanctuary

A front elevation of a hand drawn and rendered religious building in Classical style. Front doors are centered between a central column and two wings on the left and right sides. On each of the side wings, a window is centered between central and outside coupled columns. The building is topped with an entablature and a shallow dome.
A right elevation of a hand drawn and rendered religious building in Classical style. The central facade contains a centered column and two wings on the left and right sides. A rear annex shows on the right side. On the left wing, two windows are centered between central and outside coupled columns. The right wing is the same but without windows. The building is topped with an entablature and a shallow dome.
A left elevation of a hand drawn and rendered religious building in Classical style. The central facade contains a centered column and two wings on the left and right sides. A rear annex shows on the left side. On the right wing, two windows are centered between central and outside coupled columns. The left wing is the same but without windows. The building is topped with an entablature and a shallow dome.
A rear elevation of a hand drawn and rendered religious building in Classical style. a central column is shown on the central facade and two wings on the left and right sides. On each of the side wings, a window is centered between central and outside coupled columns. The building is topped with an entablature and a shallow dome.
A floor plan is shown. The entrance leads to an octagonal circulation hallway. In the center is the main gathering space with a tile mosaic. Different religious rooms lie in each of the wings. The left side shows the rear wing with restrooms.

Cottage - A Delft Tile

A white tile with blue painting is shown. Corner motifs typical of Delft tiles are in the corners. In the center is a painting of an Icelandic cottage and the ground it sits on.
A white tile with blue painting is shown. Corner motifs typical of Delft tiles are in the corners. In the center is a painting of a Faroe cottage and the ground it sits on.
A white tile with blue painting is shown. Corner motifs typical of Delft tiles are in the corners. In the center is a painting of a Kyrgyzstan cottage and the ground it sits on.
A white tile with blue painting is shown. Corner motifs typical of Delft tiles are in the corners. In the center is a painting of a Swedish cottage and the ground it sits on.
A kitchen backsplash is shown behind a butcher block countertop with a white sink, copper plumbing, and accessories on the countertop and wall. The backsplash shows the Iceland tile amongst blank delft tiles that share the same corner motif.
A kitchen backsplash is shown behind a butcher block countertop with a white sink, copper plumbing, and accessories on the countertop and wall. The backsplash shows the Faroe tile amongst blank delft tiles that share the same corner motif.
A kitchen backsplash is shown behind a butcher block countertop with a white sink, copper plumbing, and accessories on the countertop and wall. The backsplash shows the Kyrgyzstan tile amongst blank delft tiles that share the same corner motif.
A kitchen backsplash is shown behind a butcher block countertop with a white sink, copper plumbing, and accessories on the countertop and wall. The backsplash shows the Sweden tile amongst blank delft tiles that share the same corner motif.

Loops Rink & Records

Shown is the logo of the company. The name "Loops" is written in 90s style graffiti writing. An organic red border surrounds the black writing, fitting to the shape of the letters.
4 red roller skate wheels are shown. Two lie down, the other two are propped atop them. The ones propped atop show the Loops logo repeated three times on the outer wall of the wheel.
The red organic shape that surrounds the letters of the logo is repeated endlessly. The shape motif repeats inside of itself several times. The background is a lighter shade of red for tone on tone contrast.
Pictured is a drafted main floor plan of Loops Rink & Records. The north section of the floor plan is a skating rink and the other amenities. The south section of the floor plan shows a reception area, offices, restrooms and a staircase for ascending to the recording rooms.
A floor plan is shown of the second floor. The west section of the office contains a the stairs to the lower level, a restroom, lounge, a mix and master studio and live recording studio. Each studio has an entry, a control room, a studio area, and an iso room.
The skate rink is shown in 3d rendering. Several skaters are shown skating around the rink with bright colored lights shining onto the floor.
Shown is a rental desk manned by two loops workers. A neon sign of the Loops logo is displayed on the wall behind the employees. Benches sit several feet in front of the desk where two girls are sitting and tying on their skates. An old man is skating towards the entrance to the rink. The bar seating that looks over the rink can be seen on the right side.
A view of the control room in the mix and master studio. Two men sit at the control desk with a mixing board and computer in front of them. A speaker flanks both sides of the desk. Through the glass, a man with a guitar stands and looks through the window. Also seen in the background are a few microphones and a drum set.