Synopsis
"In this delightful companion play to Miss Bennet, Gunderson and Melcon once again bring Austen’s beloved characters to the stage for a yuletide sequel to Pride and Prejudice. While Miss Bennet depicted the newly wed Darcys’ Christmas gathering on the ground floor of Pemberley, THE WICKHAMS takes audiences to the downstairs servants’ quarters for that same celebration. Mrs. Reynolds, a no-nonsense housekeeper; Cassie, an eager new maid; and Brian, a lovesick footman, are bustling with preparations for holiday guests. But their work is interrupted by the midnight arrival of the definitely not invited Mr. Wickham—Lydia’s rogue of a husband and Mr. Darcy’s sworn enemy. THE WICKHAMS is a charming holiday tale that explores the confines of class and the generosity of forgiveness."
Dramaturg Note
Wickhams Program Dramaturgy Note
"Playwright Lauren Gunderson once said, “You know what people love? Jane Austen. You know what people really love? Christmas and Jane Austen.” In 2016, she and co-writer Margot Melcon searched for inspiration for a new Christmas play, and it didn’t take long for them to find it in one of literature’s most beloved novels, Pride and Prejudice. This idea led them to write Miss Bennet: Christmas at Pemberly, the first of three plays surrounding Christmas, 1815 in the Darcy estate from Austen’s story. Two years later, they followed up the success of Mary Bennet’s holiday adventures in Miss Bennet with The Wickhams: Christmas at Pemberly, placing her sister Lydia in the spotlight this time. Later, a third installment, Georgiana and Kitty, joined the ranks.
With Melcon’s dramaturgical background and Gunderson’s penchant for telling stories with a feminist flair, they expand upon ideas presented in Austen’s original novel: class division, women’s place in Regency society, and the struggles of love and marriage. Though they don’t shy away from the often heavy implications of 19th-century marriage, divorce, and class structures, they leave plenty of room for a feel-good Christmas story. For Regency women, marriage meant placing their livelihood in the hands of their husbands, with virtually no way out. Even for those with the means to divorce, they faced a future as disgraced women in the eyes of society. Lower-class individuals often worked as servants in the house of gentry or peerage upper-class families throughout the year, even through the month-long Christmas season that ran from December 6 to January 6. Because they were needed to assist in the festivities of Christmas Day, the servants' holiday was December 26, Boxing Day, where they received gifts from their employers and spent the day with family.
Other ways people of all classes celebrated the Christmas season were by attending parties, hosting elaborate dinners, going to church, and decorating the house. Queen Charlotte introduced the German tradition of decorating an evergreen tree in 1800, and though it didn’t widely catch on in Britain until Queen Victoria’s reign, the Christmas tree represents the same spirit, charm, and cheer present in Pride and Prejudice and The Wickhams: Christmas at Pemberley. The Wickhams offers its audience a fresh look into the world of Jane Austen and Regency society with a sprinkling of humor, heart, and holiday spirit."
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Calendar iconNovember 14, 15, 18-21 @ 7:30pm
November 15, 22 @ 1pmLocation icon -
Calendar icon1 hours and 48 minute
total run timeLocation icon15 minute
intermission -
Location iconPG
equivalent movie rating
Credits
Actor

Emily Alvey-Despain
Lydia Wickham

Niko Barlow
George Wickham

Esther (Es) Barnes
Cassie

Lincoln Briggs
U/S George Wickham

Xendria Childs Hutchings
U/S Mrs. Wickham

Cache Despain
Brian

Belle Francom
U/S Lydia Wickham

Brianna Kelly
U/S Cassie

Austin Nield
U/S Mr. Fitzwilliam Darcy

Jonah Newton
Mr. Fitzwilliam Darcy

Grace Lynn Owen
Mrs. Elizabeth Darcy

Isaac Peterson
U/S Brian

Sydney Rhine
U/S Mrs. Elizabeth Darcy

Ariana Whatcott
Mrs. Reynolds
Production Staff

Richie Call
Director

Emma Colburn
Asst. Director

Stephanie R. White
Intimacy Director

Ian Buchanan
Stage Manager

Ashton Lockwood
Asst. Stage Manager

Jackie Porter
Asst. Stage Manager

Charlotte Harris
Dramaturg

Carter Lee
Master Electrician

Vero Gould
Asst. Master Electrician

Bryan Stalvey
Director of Marketing

Kaitlyn Millar
Marketing Assistant

Dycie Jo
Photographer
Designer

William King
Scenic Designer

Carter Hulet
Asst. Scenic Designer, Scenic Charge

Chloe Satern
Prop Designer

Leah Brown
Costume Designer

Natalie Pulsipher
Asst. Costume Designer
Samantha Clinger
Lighting Designer

Audrey Allen
Projection Designer

Jose Huerta-Borjas
Sound Designer

Asher Bettweiser
Asst. Sound Designer
Run Crew

Avery Burt
Wardrobe

Ophelia Escheverria
Projection Board Op

Johnny Hale
Deck

Gavin Lee
Light Board Op

Rosalind Liechty
Wardrobe Head

Jordan Radford
Wardrobe

Theo Thomas
Sound Board Op

Clark Wilde
Deck
Theatre Department Faculty & Staff

LuAnn Baker
Program Coordinator

Vanessa Ballam
Head of Musical Theatre

Leslie Brott
Head of Acting

Richie Call
Department Head

Amy Critchfield
Technical Director/GPC

Dr. Amanda Dawson
Asst. Dept. Head/Head of Theatre Ed

Bruce Duerden
Head of Design Tech

Stefan Espinosa
Visiting Asst. Professor Acting

Jayne Gold
Head of BA

Dennis Hassan
Graduate Advisor

Emily Heap
Staff III

Kelsey Koga
Production Stage Manager

Joshua Legate
Assoc. Head Design Tech

Phillip R. Lowe
Costume Advisor

Paul T. Mitri
Professor of Acting

Lydia Semler
Costume Shop Manager

Stephanie White
Prof. Practice Asst. Professor